INFEMNITY™ Entertainment News

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INFEMNITY Entertainment News reports on your favorite Hollywood stars, and the latest blockbuster movies and TV shows.



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The Greatest Love: Whitney Houston and Robyn Crawford

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  I hesitated to read Robyn Crawford's book A Song for You: My Life with Whitney Houston , primarily because I was preoccupied with the launch of my own book. But when I read recently that Whitney Houston's final recording contract was worth 100 million dollars, I dropped everything to rush out and grab that book. Evidently, 100 million dollars was not enough to keep Whitney alive. Hers was a story of addiction. She had her first taste of cocaine when she was only 14. It is so tragic that she never received the help she needed to get healthy and stay alive. She was vilified in the media as the good-girl-gone-bad who let her talents go to waste. But Robyn Crawford, who witnessed her meteoric rise, felt the need to set the record straight and "lift Whitney up" after the media chose to put their energy into tearing her down. Imagine the stress and pressure Whitney must have felt knowing that she was losing her voice, after having been paid a hundred million dollars for h
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Some Thoughts on Nella Larsen's "Passing"

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Passing by Nella Larsen, recently released as a film by celebrated actress/director Rebecca Hall, has made me think deeply about my racial identity. Though I was born in a segregated Colored hospital, raised in a black neighborhood, attended segregated public schools, sat in a black church Sunday mornings, the fact remains that I never felt loved by anyone black. I suppose, when they looked at me, my parents were reminded of the pain of their own childhoods. I felt ostracized by the kids at school, and was bullied mercilessly because of my light skin and "correct" speech. My mother would straighten my hair to make me look whiter, but I never thought that she intended to enable me to "pass." My father was visibly blacker than she was, and everyone knew that he was my father. But I never got the impression that she intended for me to marry a white man. In fact, I never got the impression that she intended for me to marry a man at all. She wanted to remain the center
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Gateways Music Festival Orchestra with Jon Batiste at Carnegie Hall

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You might not have known it if you get your news from the New York Times or other major news outlets, but history was made last Sunday afternoon on the Carnegie Hall stage. In a sold-out concert, an all-black orchestra performed under conductor Anthony Parnther, with pianist Jon Batiste as soloist in his own composition titled I Can . The program included compositions by Florence Price, George Walker, and Johannes Brahms. The concert concluded with James V. Cockerham's Fantasia on "Lift Every Voice and Sing," a signature piece for the ensemble, whose distinguished members hail from leading orchestras and conservatory teaching faculties nationwide. Jon Batiste "Why an all-black orchestra?" you ask. Well, the sad reality is that most of these extraordinarily talented musicians are not hired by the vast majority of American symphony orchestras. "Why?" again, you ask. The answer: American racism. The concert was broadcast by WQXR 105.9 in New York, and st
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